Rights Without Bounds: An Interview with Wendy Brown
The contemporary right has inherited two seemingly contradictory impulses from the neoliberal era: anti-democratic politics and a libertarian personal ethic.
The contemporary right has inherited two seemingly contradictory impulses from the neoliberal era: anti-democratic politics and a libertarian personal ethic.
By telling her story, tennis champion Peng Shuai revealed how a violent power structure hides its violence, and the perverse way in which it drags in its victims.
In Reckoning, Deva Woodly makes a case for radical Black feminist pragmatism, a philosophy “that takes lessons from many twentieth-century ideologies and forges them into a political ethic for our times.”
Desire is shaped by social assumptions and prejudices, Amia Srinivasan argues in The Right to Sex. So what does one do about it?
Following Mexico’s Supreme Court ruling to decriminalize abortion, feminists in the country continue to help people access care. Their work can serve as a model for U.S. activists navigating the limits of state health services.
Student experiments in DIY justice point to the shortcomings of the current Title IX system in confronting sexual harm on campuses.
We won’t end precarity with nostalgia for an era when men were the primary breadwinners.
The best family policies would lift household income by raising pay and social wages—and would value work wherever it takes place.
Family abolitionism puts children’s freedom at the heart of society.
The murderous hysteria over white patrimony is inseparable from the private capture of both economic opportunity and political authority.
Even as their budgets have climbed upward, police departments have deprived sexual assault units of proportional funding for decades. Today, advocates in Texas are trying to transform the state’s approach to sexual violence.
Sexual Hegemony, an ambitious retelling of the history of capitalism through the politics of gay sex, arrives just in time to help dissuade us of the idea that we have reached the end of gay history.
Fear and rage can be an entry point into the rejection of violence against women but not the termination or sum of our collaborations.
In Fernanda Melchor’s novel Hurricane Season, women are agents in their own lives, but we also see where the fear of such agency can lead.
Dorothy Fortenberry, playwright and writer on The Handmaid’s Tale, talks about gender and politics, the work women do, the importance of institutions, the #Resistance, and more.