Are Comics Art?
Here, Richard McGuire’s spare and insular foray into the comic-art world, eludes any easy categorization.

Here, Richard McGuire’s spare and insular foray into the comic-art world, eludes any easy categorization.
Not every novel that concerns itself with the lives of women is a feminist novel.
In his latest book, Rick Perlstein tells lively stories at the expense of the political complexity.
Managing the commons is fraught enough here on Earth, but decisions will be all the more complicated when dealing with the great commons of the sky.
Introducing our special Fall edition on Politics and the Novel—with essays by Nikil Saval, Vivian Gornick, Benjamin Hale, Helen Dewitt, Nina Martyris, and Roxane Gay—David Marcus asks: what happened to the political novel?
For Willis, rock was sex, which was Freud, which was Marx, which was labor, which was politics and therefore a reason to vote or protest.
The house in Sister Wives looks less like the home of a fundamentalist family than a functional commune.
Airbnb’s announcement of its new #branding struck the tech community on a lot of levels, not least of which were the many genitalia-related ways in which the logo can be interpreted. What I find most interesting in the new branding, …
Since the late 1970s, World War 3 Illustrated has channeled comic artists’ outrage at a world of endless war, ecological exploitation, and the brutalization of social relations.
For Marshall Berman, the street was not just the site where modernism was enacted; it was modernism incarnate.
It is time to ask how we can end our pathological dependence on the ineffective and swollen agency.
“Monica Lewinsky quoted you. Did you hear?” a friend called to say. My first reaction was: I’m being pranked. But there in Monica Lewinsky’s recent Vanity Fair essay, “Shame and Survival”—her account of what happened to her after her affair …
Rachel Kushner’s The Flamethrowers, in many ways, is about men talking and making art, and about the ways that women experience men’s art, or become the object of it.
Rock-and-roll fans tend to see the rock culture of the 1950s and ‘60s as both a reinvention of American popular music and a force for self-expression and liberal culture. Two new books show what this account leaves out: rock and roll’s frontal assault on American racism.
At a cost of several hundred millions of euros, the capital of Macedonia is undergoing a makeover that includes one of the largest statues in Europe, a new archaeological museum, and several works of public art, all financed by the government in an effort to paint their poverty-stricken state as the rightful inheritor of a distant grandeur. Critics have wondered whether the money could not be better spent in a country that, if it were to join the EU, would be the poorest member.