A Small World is a self-consciously exclusive social network aimed at a certain class of internationals—referred to interchangeably as “global nomads,” “citizens of the world,” or, more frequently, the “global elite.” The site reveals that modern cosmopolitanism has been a largely market-driven phenomenon, designed for capital, not citizens, to become “of the world.”
As revolt continues to shake the globe, as images of mass protest and riot become the norm on the evening news, they become a part of the global consciousness and, as such, produce a new series of images for Hollywood to attempt to capture. But in putting a flaming White House in every subway station in America, not to mention in dozens of nations abroad, what desires could Hollywood unleash?
As infamous pick-up artist Roosh himself admits in “Don’t Bang Denmark,” Nordic social democracy doesn’t support his kind.
The original conceit of the Up documentaries was that the class into which children were born would determine their success in life. Director Michael Apted has long since abandoned class as an overarching theme, but his later films still show how the socioeconomic circumstances in which the Up children were born and raised plainly affected their opportunities.
Work, and in particular white, professional woman’s work, is at the center of contemporary feminist discourse. Nancy Fraser’s new book points in a different direction, calling for the re-incorporation of political economy into feminist discourse and for policy changes that would give women more control of their time
A new set of reality shows thrive on foreclosed property and unpaid bills; they promote a bargain-basement ethos where everything has a price, and where discovering and comparing those prices is a source of pleasure.
For almost twenty years the phrase “Spanish architecture” was spoken in hushed and reverent tones. It evoked not just Gaudí and his perpetually unfinished spires, but a new breed of visionaries who were reinventing the profession and doing wonders for …
When the audio book of Betty Friedan’s Feminine Mystique was to be recorded back in 2009, producers approached Parker Posey to voice the canonical feminist text. Most known for her portrayal of lovable slacker ditzes such as the soft-serve-wielding Libby …
For Zadie Smith, the time had come for the radicalism of experiment and the realism of political economy—for a new social realism that was capable of capturing both the mechanics and experience of today’s growing inequality.
